KEEL
LP 12 subchassis and armboard upgrade
Machined from solid aluminium, Upgrades the LP 12 sub chassis to Klimax level
Compatible with Linn Ekos SE, Ekos, Akito, and Ittok tone arms. Versions also available for Rega, SME & Naim tone arms
Karousel, Linn’s new precision-engineered single-point bearing, offers smoother rotation and greater stability for even better sound from your SondekLP12. This innovative new take on our original bearing design has been made possible by technological developments in material science, machining capabilities and mechanical engineering expertise gained from almost half a century of designing and manufacturing the world’s best turntable. That vital union between the platter, spindle, bearing and sub-chassis is now the strongest we’ve ever achieved.
The reward is more information, better fidelity, better sound. The differences are immediate and they’re not subtle. In Hi-Fi speak we can say: More Pace - Better Mid clarity - Blacker space - Greater Dynamics - Bass attack …......… Or, simply, it just sounds “Right”.
You’ll find you’re pulling out record after record. How are we so confident? Because we’re still pulling our records out ourselves! “Bad” records, are no longer “bad”, just produced differently. This makes more sense, after all producers were happy with the sound they created. Why and how did it go wrong? It can only be at the replay end.
Designed to provide the Sondek LP12 with additional isolation from vibration, the Trampolin’s feet use acoustic dampening material to minimise interference for improved audio performance. Trampolin is manufactured from high quality aluminium and is fixed directly to the wooden plinth of the turntable.
The Trampolin base board can be specified on all new Sondek LP12 turntables and can also be used to upgrade your existing Sondek LP12.
The reward is more information, better fidelity, better sound. The differences are immediate and they’re not subtle. In Hi-Fi speak we can say: More Pace - Better Mid clarity - Blacker space - Greater Dynamics - Bass attack …......… Or, simply, it just sounds “Right”.
You’ll find you’re pulling out record after record. How are we so confident? Because we’re still pulling our records out ourselves! “Bad” records, are no longer “bad”, just produced differently. This makes more sense, after all producers were happy with the sound they created. Why and how did it go wrong? It can only be at the replay end.